Think Creative

Being an academic and a creative I tend to read and put into practice a lot that I look at. Recently I have been doing a good deal of research into 'inspiration'. Inspired as you could say, to motivate the students into getting their act together. It is a complex subject. Never is it easy as to say 'switch on' and get productive. So many variables fit into the complex motions of getting the brain to turn those gears. However, one of the great aids is the ability to see possible hurdles that could combat or challenge your creativity. There are too many to name here as possible blocks and remedies, but I will attempt to tell you some and hopefully this will aid in the process of getting your act together. The first and most easy to achieve is attitude. Again, that is easy to say, but having a late night, not getting your coffee in the morning, missing the bus, etc., can all contribute to making the daily attitude seep a little. However, one thing that you should and nee...

Another in the series of developing an understanding to the many types of blocks there are. Just as a quick reminder, we have already covered: Environmental Blocks, Cultural Blocks, Perpetual and Associative Blocks. This post will look at another aspect of the mental block structure; that of 'Intellectual Blocks'. What does this actual base its notions around? Well, there are many aspects to this form of mental blocking. Intelligence as described in the Oxford dictionary reads as such: intelligence |ɪnˈtɛlɪdʒ(ə)ns| noun 1 the ability to acquire and apply knowledge and skills Based on this, the measure of an intelligence is the amount of this such knowledge and to what amount it can be utilized in order to make head way in a given situation. Another way to look at the definition of intelligence is that of this basic concept. Intelligence is the ability to solve problems. The more intelligent, or more knowledgeable one is, then the more likely you are of completely the task ...

As humans we look at things with different degrees of analysis. We are in fact the only living creature that has the cognitive ability to analyze things, event, problems and try to come to a conclusive result. The advantage of this analytical brain is to help resolve these problems in a more effective manner. Our closest relative, the chimpanzee, when faced with a termite nest wont look at it holistically and see the potential aspects to which a solution to get a termites out. Instead they are limited to their surrounds and their capabilities. They generate simple tools to approach the most convenient solution. Saying this, it is wrong to take away from the chimpanzee the ability to fashion tools and use them. For many years man has deemed himself the only manipulator of his environment, is such a way as to physically alter and fashion elements to create tools. This is not so. What this has to do with creative thinking is a little more deeper than termites in a nest. Holistic knowled...

One of the things I see when I am teaching is the great deal of nervousness that occurs when the students are about to do that simplest of actions, of putting a pencil on a piece of paper. After twenty odd years of doing all this drawing and sketching and the like, I find it odd to observe, or at least funny that someone has that nervousness. There can be many reasons for this to occur. I have thought about it whilst sitting and trying to encourage the students to leap right on in there. One possible reason could be that there is a daunting task of seeing how to fill a large expanse of white space with something. Another, and especially in the classroom environment, is the fear of embarrassment in making a mistake in front of people. This is odd, as I have always stated and affirmed, people can only make progress by making these mistakes. However, the one problematic area that can easily explain all these in one form or another, is the way in which we use our brain. I mentioned befor...

So once we have our list of terms and derivations, the next stage is to convert them into visual ideas. Mainly, as this is a creative project then all the elements need to be presented in a graphic form. What I tend to do is to develop via sketching. Saying this though, there is a disparity in what can look good in a sketch and what can look good in a final design. This understanding can come with a great deal of experience in how things look in rough and complete form. I tend to so all my logo designs via illustrator, and so when sketching I tend to keep simple lines and blocking that I note will be colour or shape. Anyway, what happens depending on the list of words, is I try putting down any idea that pops into my head based on the initial visual I see. This can usually populate an entire A3 sheet of small thumbnails. Like the one I added above. Another thing that is hard to describe, as a necessary part of the process, is the need to have gestation time. For example, I have tree ...

What usually tends to take place next i the depth process is to define the images I like the most as fully rendered icons. This tends to be done in illustrator. Illustrator is great for icons and logos, many as you can resize the objects without loosing quality or clarity. So what I tend to do, is whilst designing and thinking about logos, I tend to image how I will achieve them in illustrator. Its hardly worth trying to think of a great logo that can only be made in photoshop. Not saying that you can't use photoshop for doing logos. The issue there is that you have to make a very large version and then hope the resizing wont degrade the image too much. So, for the sake of all that hassle, it is best tho construct the whole image in illustrator. There are a great deal of effects now available and with some training it is possible to make the image look almost as good as a photoshop file, if that is the look that is required. For these logos, it was important to maintain a clean a...

After two weeks of working and tweaking and convincing the final logo has been decided on. In some senses it is still my second choice, although I was very pleased that the concept came in a 'eureka' moment one night as I was feeling desperate about the clients insistence on doing something different from the original design and close to the original. This pays dues to the notion that good ideas come when you are horizontal, sleeping or consciously resting. It has a great deal of gestalt aspects to the design as well. Making the 'sigma' appear from a negative shape that reflects the 'kappa'. What was then part of the process is to deliver the several variations that may be needed by the client for print. This includes black on white and the reverse out against black. Also included are several adaptations of the logo with text positioned differently. I managed to convince the client that the use of PF Archive Pro was better than the original Sans Serif font ( M...